Los Angeles: Charles Schlacks, Jr., Publisher, for the Center for Multiethnic and Transnational Studies, University of Southern California, 2004. Softbound. Octavo, paper covers, vi, 249 pp., b/w photos and drawings, index of names. With a CD-Rom laid-in. Very Good. Item #87363
Introduction by Konecny Articles are "Making Photographs Move," Lorin Johnson, "Early Russian Modern Dance: Lev Lukin and the Motobio-shul'ptura," Johnson, "Rehearsal as Research in the Recreation of Les Noces," Sharon Carnicke, "'The First Russian Ballet': Alexander Sumarokov's 'Sanctuary of Virtue,' (1759)," Marcus Levitt, "Russian Dance Studios in the 1910s-1920s," Elizaveta Sourits, "'L'Idole-Girafe, Moscow, 1920s," Nicoletta Misler, "Perilous Crossing: Ivan Miasoedov and the Esthetic of Physique," Bowlt, "Three Russian Dancers: Decadence, Art Nouveau, Degeneration," Olga Matich, "Dance and Movement in the Cabaret," Konecny, "Film and Dance: Back and Forth," Yuri Tsivian, "Danicng and Performing: Japanese Artists in the Early 1920s at the Dawn of Modern Dance," Toshiharu Omuka, "Enrico Prampolini and Avant-Garde Dance: The Luminous Stage of Teatro della Pantomima Futurista Prague - Paris - Italy," Elisa Vaccarino, "Major Theories of Group Movement in the Weimar Republic," Karl Toepfer, "Pour une rechereche en danse de l'accesaux sources aux developpements de emthodologies specifiques," Claire Rousier et Laurent Sebillotte.